I have two research projects going along simultaneously. They are both in the field of performance practice and how performers today can learn from history in order to create new, exciting performances of historical music. Since performance practice can be so much, I am focusing on a certain composer and work from the two periods, and the performance practice that can be associated with these works.

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Early 18th century performance practice – J.S. Bach Cello Suites

Early 20th century performance practice – E. Elgar